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博客來精選推薦Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC



博客來旅遊好書

Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC





Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC 評價



網友滿意度:



不論是在學生時期或開始工作後

我對語言一直都有難以言喻的嚮往~~

自英文的從國中啟蒙

能夠用其他語言的邏輯來思考事情

也是一件很有趣的一件事

跟一般人喜歡用吃吃喝喝出遊玩來打發時間

我更喜歡用書籍安靜的充實自己

所以特別跟大家推薦我目前在看的

Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC

非常好上手、條理分明

對於希望入門別太難的人很適合

而且這最大的成就感就是用新學的

語言查資料了XD

看自己key出之前完全不了解的文字或音

真的有滿滿的感動啊~~

希望推薦的這本書能夠讓大家都能

感受或得知識的喜悅!

一起讀書向前邁進吧!





小鴨 博客來e-coupon傳送門

Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC



本週熱台中水晶專賣店銷商品:





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商品訊息功能:

商品訊息描述:

Greek tragedy is one of the most important cultural legacies of the classical world, with a rich and varied history and reception, yet it appears to have its roots in a very particular place and time. The authors of the surviving works of Greek tragic drama-Aeschylus, Sophocles, and Euripides-were all from one city, Athens, and all lived in the fifth century BC; unsurprisingly, it has often been supposed that tragic drama was inherently linked in some way to fifth-century Athens and its democracy. Why then do we refer to tragedy as ’Greek’, rather than ’Attic’ or ’Athenian’, as some scholars have argued?

This volume argues that the story of tragedy’s development and dissemination is inherently one of travel and that tragedy grew out of, and became part of, a common Greek culture, rather than being explicitly Athenian. Although Athens was a major panhellenic centre, by the fifth century a well-established network of festivals and patrons had grown up to encompass Greek cities and sanctuaries from Sicily to Asia Minor and from North Africa to the Black Sea. The movement of professional poets, actors, and audience members along this circuit allowed for the exchange of poetry in general and tragedy in particular, which came to be performed all over the Greek world and was therefore a panhellenic phenomenon even from the time of the earliest performances. The stories that were dramatized were themselves tales of travel-the epic journeys of heroes such as Heracles, Jason, or Orestes- and the works of the tragedians not only demonstrated how the various peoples of Greece were connected through the wanderings of their ancestors, but also how these connections could be sustained by travelling poets and their acts of retelling.

商品訊息簡述:

  • 作者: Stewart, Edmund
  • 原文出版社:Oxford Univ Pr
  • 出版日期:2017/08/22
  • 語言:英文


Greek Tragedy on the Move- The Birth of a Panhellenic Art Form c.500-300 BC





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